The Dave Brubeck Quartet - Time Out (1959)
Cover Front Album
Cover Front: The Dave Brubeck Quartet: Time Out
Artist/Composer The Dave Brubeck Quartet
Length 38:20
Label Columbia
Cat. Number CK 65122
Release Date 1959
Format CD-R
Packaging Jewel Case
Category Jazz
Genre Cool/West Coast Jazz
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Musicians
Piano Dave Brubeck
Alto Saxophone Paul Desmond
Bass Eugene Wright
Drums Joe Morello
Credits
Producer Teo Macero
Track List
01 Brubeck, Dave Quartet - Blue Rondo A La Turk 06:44
02 Brubeck, Dave Quartet - Strange Meadow Lark 07:22
03 Brubeck, Dave Quartet - Take Five 05:24
04 Brubeck, Dave Quartet - Three To Get Ready 05:24
05 Brubeck, Dave Quartet - Kathy's Waltz 04:48
06 Brubeck, Dave Quartet - Everybody's Jumpin' 04:22
07 Brubeck, Dave Quartet - Pick Up Sticks 04:16
Personal
Index 267
Collection Status In Collection
Details
Recording Date 1959
Spars DDD
Rare No
Sound Stereo
Amazon.de ASIN B000024F6I
Amazon.com ASIN B000002AGN
Notes
Recorded June 25, 1959 - August 18, 1959 Historic Reissue Features "Take Five" and "Blue Rondo à la Turk". Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move - Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt - it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as it's become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated - it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.

1997 CD Reissue

Item last modified: 30.08.2005 15:25:30
Page last updated: 28.10.2006 22:56:00 / Luzian Wild

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